No Exit

Jean-Paul Sartre's 1962 film adaptation of his existential play features three damned souls—cowardly Garcin, manipulative lesbian Inez, and vain Estelle—trapped in a hellish room where mutual torment reveals human bad faith. No progressive politics, identity politics, social justice, or diversity messaging; focuses purely on philosophical themes of freedom, authenticity, and interpersonal hell, with no prioritization of inclusion over storytelling. The lesbian character is depicted negatively, not celebratorily.